#( always something to play | music )

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[jackklinemybeloved]

[…]

Percy’s warning to fellow half-bloods in the audience, across different mediums.

The Lightning Thief by Rick Riordan (2005) The Lighting Thief: The Percy Jackson Musical (2017) Percy Jackson and the Olympians Series Teaser (2023)

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

[First] Prev <–-> Next

[ricky-mortis]

I think Dakkar should play that organ while they’re on the Nautilus.

[blueberry-blast]

the octopus the myth the legend

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[littleplantfreak]

'When', not 'if'

("I'm not a romantic" I cry and scream before dropping the most sickening thing i've written to date. Blame @stunie because i did tell her i would write the most ume thing ever and maybe this is it. The title in my docs for it is 'Fucking disgusting' but i figured i better not title it that here because I'd be seeing it in my notifs lmaoo)

SFW/no cw unless you hate fluff

When you wake up from your nap, one of your slippers is gone, and there's a blanket on you that wasn't there prior. Looking at the clock, it's been about an hour since everyone had left your apartment once your birthday party ended. The day as a whole had been chaotic, your boyfriend shoving you out the door with a note to go see Kotoha.

The note took you farther than that, though, as it seemed Umemiya created a whole scavenger hunt for your birthday that had you running into all of your friends, having dessert at your favorite cafe, and eventually ending up at your shared apartment to find that all that time spent around town was a distraction so that he could set up the space for your party. After it had ended, you were banished to the couch because princesses aren't allowed to help clean up their own birthday parties, which had you huffing and falling face down into the chicken shaped pillow affectionately called Mr.Clucky.

It was a product of your boyfriend's endless cycle of hobbies when he took up sewing. A little lopsided and overfilled with stuffing, you complained to and into Mr.Clucky with your face pressed into him. Apparently, he was soft enough to fall asleep on because before you knew it, you had been drooling on him the entire hour. Prying yourself off the couch took more effort than was almost worth it before your eyes fell on the reason you were so tired to begin with.

Hajime smiles and hums looking at your bleary eyes. "Good morning sunshine, I was just about to take you to bed," he says, folding a dish towel over a chair. You toss off the blanket and grab on the slipper that fell under the living room table before padding up to him. Dipping your hands under both of his arms to lock them together behind him, now your face is in his chest instead of the chicken, which is entirely preferred.

"Don't wanna go to bed just yet," you muffle, sinking even deeper into him when both of his arms wrap around you in support. He smells like dish soap and birthday cake, and you turn your head to hear the heartbeat in his chest.

"What do you wanna do lovey? You know I'd give you the world if you asked," you can hear the rumble of his voice in his chest with your pressed ear. He's cheesy, but half asleep, you feel just as much, if not cheesier.

"I have the world if I have you, they're one in the same. So just you is more than fine." Your eyes are closed, but you feel him shiver a little. "I wanna dance with you, though," you say, voice still soft and kinda raspy from sleep.

"Dunno if I can top what you just said even when I propose," he chokes out a laugh, or at least you think it's one. He shifts his hold a bit and starts leading you both in a lazy sway that starts near the toaster and ends next to the potted plant at the back door before starting over.

"When? Not if?" You tease him, a hand going to scratch the nape of his neck lightly.

"I'll never meet another you, so I'm pretty set on When."

"I'll say yes." Because you will. You can't imagine a life where you wouldn't.

"And I'll still cry when you do." You can tell he's crying now because it comes out shaky and his hold tightens a bit, before you lean back, stopping your impromptu waltz. Both of your hands come up to cup his face and look at his teary grey eyes before cooing at him.

"You big baby! Save those tears for When please. You'll be congested and sniffley all night if you don't stop." You start cleaning off his face with your sleeve, but he stops one of your hands and starts peppering your palm and wrist with small kisses. "I think I'm ready for bed now. Princess's orders," you say, dragging him towards your bedroom. You'll have to figure out tomorrow just how soon When is going to be, but for now you can hear the slow thumps of Hajime's steps as he follows behind you, squeezing your connected hand. It's not pressing in the least, you think, because it feels like there will be plenty of tomorrows too.

-----

When you wake up in the morning, it takes you an hour to realize Hajime had put the ring on your finger while you were asleep.

It takes you five minutes to run through town in your pajamas, barefoot to find and full on tackle him in front of the place he was about to get your breakfast in.

And it takes about two minutes of unintelligible blubbering on both your parts before anyone understands what is going on.

No one timed it, but if they did, it would've taken less than ten minutes for the whole town to find out via texts, calls, and yells down the streets and through windows that you're engaged.

[lichilly]

"you dangle on the leash of your own longing, your need grows teeth." -- Margaret Atwood, The Animals in That Country; from ‘Speeches for Dr Frankenstein’

cw: wounds, implied violence, talk of blood, uhh me being mushy over werewolf Joseph, gender-neutral reader

The fire crackled softly, its glow spilling over the cabin walls, painting the room in hues of amber and shadow. Flecks of light flicked across the worn wooden beams, dancing along the edges where the dark gathered. He sat still, nestled in the warmth, the flames reflecting in the depths of his eyes. His pointed ears twitched at the occasional crack of the embers, but otherwise, he remained motionless—watchful, calm.

You approached from the doorway, your steps shifting against the creaking floorboards. Kneeling beside him, you set down the first aid kit, its zipper cutting through the stillness of the room.

His gaze shifted, tracking your hands as you laid out gauze and bandages with routined care. The faintest of huffs escaped his nose, his version of acknowledgment, as he extended his arm toward you. No words exchanged. There never were.

"Let’s get these changed," you murmured, your voice barely disturbing the air between you.

You took his arm in your hands, feeling the heat of his skin beneath your fingertips, the rough texture of old scars mingling with fresh ones. The bandage unraveled slowly, each layer revealing the healing beneath. A faint tremor passed through him, so subtle you might have missed it if you hadn’t been so close.

As you worked, the fire’s glow bathed the two of you in warmth. He watched, eyes flicking between the fire and the slow movements of your fingers as they worked the fresh bandages into place.

It was routine now. He’d sit by the fire, you’d kneel beside him, tending to wounds that spoke of violence he never explained. You didn’t ask. Instead, you learned to listen to the small cues—the soft exhale, the shift of his posture, the way his eyes lingered on you before returning to the flames.

The old bandage crumpled in your palm as you set it aside, your thumb ghosting over the newly healed skin. The worst of the inflammation had faded, the edges of the wound knitting together. You took a moment, letting the quiet settle around you again before speaking.

"It’s healing well," you said, the words softer than you intended.

A low rumble stirred in his chest, vibrating through the space between you. His eyes flicked up, locking with yours for a heartbeat, then returned to the fire. You couldn’t help but smile.

"You’ve been a good patient," you added, your fingers resuming their work.

He didn’t answer, but the subtle way his body relaxed beneath your touch was enough.

The bandages on his arms were easy, but the deep gash in his side—still raw, still stubborn in its refusal to heal—was the one that troubled you most. You didn’t know what had caused these wounds, nor did he offer any explanation. His body bore the marks of bloodshed long fought and endured. Scars layered on scars, and yet, here he was.

You worked carefully, your fingers brushing over his side as you unraveled the last of the bandage. His breath hitched, just barely, but you felt it—a flicker of discomfort. The gash along his torso, though healing, was still raw, angry. You winced for him but kept your focus, your hands steady as you cleaned the wound with gentle, practiced movements.

He didn’t pull away, but his gaze slid to the floor, a subtle shift that made your stomach knot. It was in these moments, the ones where the silence between you felt more like a weight than a comfort, that you wished he’d let you in just a little more. But he never did.

“Almost done,” you whispered, though he didn’t need the reassurance. You weren't sure if it was for him or for yourself.

His chest rose and fell with a slow, deliberate rhythm, as if controlling the pain through breath alone. The firelight cast shadows across his face, highlighting the sharp angles of his jaw, the curve of his lips pressed into a thin line. His pointed ears twitched again, though you couldn’t read it yet—frustration? Agony?

You wrapped the fresh bandage around his torso, your hands brushing against his skin with each pass. He didn’t flinch, didn’t react, though his body seemed to relax minutely with each passing moment.

You tied off the bandage, your fingers lingering for just a moment too long, the warmth of his body seeping into your palms. You cleared your throat, pulling your hands away, suddenly aware of the closeness between you.

“There,” you said softly, settling back onto your heels, giving him space again. "All done."

For a long moment, he didn’t move. His eyes, dark and unreadable, lingered on yours. Something hung in the air—like words he wasn’t ready to speak. You waited, your breath held tight in your chest, hoping for some sign, some crack in the silence.

Instead, he dipped his head in a slow, deliberate nod. It wasn’t much, but it was something. The quiet between you felt different now—less heavy.

You stood, the old bandages clutched in your hand, and moved to toss them into the fire. The flames licked at the fabric, devouring it in seconds, casting the scent of smoke into the air. You watched the embers rise, your back to him, trying to ignore the way your pulse quickened, how the room felt smaller when you were both in it.

Behind you, you heard the softest shift of fabric, the weight of him rising to his feet. You turned just in time to see him step closer to the fire, his gaze fixed on the flames, expression unreadable. He stood just beside you, the space between you barely enough to call distance.

It wasn’t much, but it was something.

Without a word, he reached for a log by the hearth and placed it on the fire. The flames roared briefly before settling into their steady crackle, the warmth spreading further through the cabin.

You stood there, side by side, staring into the fire.

[mochatears]

Il sistina tuggoffelees

THANKS FOR SUGGESTING THE GAY KITTIES

This one isn’t my best work thoughhh haha sorry

I had one (1) singular thought when I saw Il Sistina Tugger’s lil heart.

Okay but for real, one of my favourite Mistos!! I love his playing card bow tie SO MUCH!! And this might sound weird, but his actor has a really good face. I always feel like I’ve seen him somewhere before tho haha.

[f1xmeinfortyfive]

Three men with only one braincell

[s0fter-sin]

rewatching s1 and in ep3 w*ndigo, dean makes a joke about not bringing provisions into the woods just to pull out a bag of peanut butter m&m’s and stick with me here, it’s why the later seasons’ “goofy dean” loses me

this moment is clearly a joke but if you think about it too much, it also makes some sense; a family size bag of peanut m&m’s is calorie dense and even the high sugar is good to keep you moving which they need on an overnight hunt. it also shows how due to their upbringing, they’ve had to eat lower quality food, things they always had access to that was cheap and also in bulk

what does dean eating ghost pepper jerky then tipping water on himself exist for other than to be a cringy joke? what does smelling old chinese food, testing to see if it's still good then shaking his head with cabbage hanging out his mouth when it isn't serve? it's just to make him look stupid and contrast sam's healthy/clean diet (and superiority but that’s another conversation) which has always existed but it used to be nuanced and natural

we see dean as a child give up the food he wanted to eat so sam could eat it. (“i’m sick of spaghetti-os,” “you’re the one who wanted them,” … “i want lucky charms!” “… there’s only enough for one bowl and i haven’t had any yet!” proceeds to give them to sam, 1x18) we know he hustled and stole food to ensure sam ate. (“so, what’d he take?” “get this- peanut butter and bread.” 9x07)

we also see throughout the early seasons dean teasing sam about his salad or healthy choice while he eats some form of burger or other fast food (or notably, cheerfully eating prison food that sam won’t touch, 2x19). it's typical sibling teasing but it also shows that it isn't new for sam to eat like that and for dean to know he eats like that

sam being picky isn't just a character trait they chose for him, it's a result of how dean raised him; he raised him to like and want healthy food and be food secure enough to reject food he didn't want

but dean eats anything he is given and seeks out unhealthy - cheap, plentiful, filling - food

he is the opposite of picky to the point of it being a consistent bit; they show him multiple times eating when it's socially frowned upon to do so eg. questioning a grieving victim when they're trying to be discreet (1x14, 2x15, 2x18)

a similar moment to the chinese food is in 4x19; dean wakes up in the car while sam brushes his teeth outside and is hungry. sam says there's a sandwich in the backseat, dean smells it and recoils bc it's an old tuna sandwich. the moment is funny on its own but it also exists as a comparison of their lives to adam's; he has a loving mother, goes to school and importantly, a steady stable childhood

it’s a joke with a purpose

it also supports dean's food insecurity; he wakes up and is immediately hungry, enough to complain about it and seek out food before anything else

dean is always hungry bc he never has access to nutritionally rich foods bc he got used to using the money he earned to buy sam's more expensive food. he got used to his cheaper, denser foods and grew up with (and continues to live with) intermittent access to said foods. think of how long it takes to drive from one state to another; how many hours it can take to see another town that offers food, if you arrive at a reasonable enough time for anything to be open. also think how they can’t keep any food beyond what fits in an esky; nothing that needs defrosting, nothing can be heated up. it’s bags and jars and take out for as long as they can trust it

then they get the bunker which has its own kitchen

dean even describes himself as "nesting" when he decorates his room, something he hasn't had since he was four years old, and he uses said kitchen to cook a burger from scratch that he is proud of. he is food secure for the first time in his life and it shows in how often he cooks for both himself and sam

so these moments where they have him acting goofy regarding food are no longer character driven and only exist as a joke which is why they come across as cringy and out of character compared to similar earlier moments

a lot of my issues with dean's characterisation started when they introduced the bunker. the argument can and is made that the reason these jokes happen is bc he feels safe in the bunker, that bc he now has a home he can relax and unmask but that still doesn't feel sufficient. they crank up these sillier moments for both of them, giving them a sort of playing house comedy vibe of two roommates with completely different personalities but it doesn't feel like an authentic progression. it feels forced; an attempt at humour for humour's sake

food stopped being an informed part of their characters and their trauma and instead became flanderised; sam is the judgy vegetarian health nut and dean is his borderline slovenly carnivore counterpart

[juniemunie]

TEST DRIVE TEST DRIVE TEST DRI-

I have so many thoughts about this entire sequence, from the way Hiccup and Toothless get along to the MUSIC- (the music analysis is going to my tags)

.

But im gonna talk about Toothless pov again

I always think of this is like, the forbidden friendship scene for Toothless the way the actual forbidden friendship was for Hiccup

If Hiccup's scene was Toothless connecting to Hiccup through human things (sharing food, smiling, art and all that)

Then this scene is Toothless' because Hiccup connects with Toothless through flying, something I've always headcanoned to be what dragons (the ones that fly anyway) need not just to survive, but to live and bond with others.

if Hiccup's FF is the beginning of the potential then Toothless' FF is the "end", the moment where the potential is found and fulfilled, the thing that really solidifies their friendship because both has now experienced and accepted the other's unique sides

Just, yeah Toothless sees Hiccup just getting it, understanding why flying is so wonderful, hearing him cheer and whoop in joy like a fledgling's first time in the air, and seeing him at the end instinctively understand what to do-

Like that sudden spin near the end of the sea pillars- and both of them looked surprised they even managed to do that together instinctively- when just a few minutes ago Hiccup couldnt even dodge the two very obvious sea pillars in the beginning

He looks up at this human, this strange clever, brilliant little human who has somehow made this even possible, who has broken every preconception he has, who is now flying with him with a dragon's instinct but baring his teeth in that human way of expressing joy, screaming something he could not parse perfectly in his dragon tongue but understood the meaning all the same.

"We did it."

[a-spacecadet]

One thing I don’t think clone high fans really talk about is how good the sound design was in the original show…like play it with headphones on and every little thing has sfx I love it

[paluding]

The Urbz GBA/DS Map 💛

Couldn't find this particular map ripped and uploaded anywhere so I just went ahead and ripped it myself from the game.

If you'd like to download it I uploaded a few versions on Imgur here. I really don't know why it's flagged as mature but I promise there's nothing explicit in there lol. Anyways, there's a 1x, 2x and 4x resolution available for you to choose :)

[rawliverandgoronspice]

I don't get why people hate the timeline so much, its not like you can't pretty much completely ignore it when you play the games. The only time it even approaches mattering to the story is when there is an explicit sequel like botw and totk or zelda and zelda 2

Hey sorry your ask got lost in the sauce of my broken tumblr, but: yeah!

I mean, I get why in some sense. It's been a heated point of debate and I think some people understandably resent the space it has taken not only in fandom discourse, but in how people began to understand the game and its narrative aesthetic choices. There is such a thing as over-rationalizing everything to hard logic, and sometimes it's just not the fandom for that --especially when you begin to forget it's all just fan theory and start to forget what the games are supposed to be like and evoke beyond just strict facts displayed in a linear way.

What I think bugs me with TotK in particular is that it both evokes and relies on continuity and the idea of a timeline, of archeology, of history itself, while being so loose and vacant with it that it both is doing Timeline Shit while also completely failing to understand why some parts of the fandom were invested in Timeline Shit to begin with.

But that's just my two cents of course!